> ## Content Index > Fetch the complete content index at: https://www.catapult-platform.art/llms.txt > Use this file to discover other available public pages before exploring further. # Five Positions Measure How Fast a Body Can Be Shipped - URL: https://www.catapult-platform.art/sequence-optimal-dispatch-aaaa-copenhagen/ - Published: 2026-09-29T02:09:13.000Z - Updated: 2026-09-29T02:09:12.000Z - Description: Read our independent art analysis of Sequence for an Optimal Dispatch at aaaa nordhavn in Copenhagen. Exploring logistics, rhythm & sculpture. - Author: Dominique Catherina Foertig - Tags: Exhibition, Material & Sculpture, Copenhagen ## aaaa nordhavn Presents *Sequence for an Optimal Dispatch* in Copenhagen **aaaa nordhavn** presents *Sequence for an Optimal Dispatch*, curated by **GuilherVilhena Martins**, through September 29, 2026. **Sequence for an Optimal Dispatch** **Artists:** Villiam Miklos Andersen, Jiyoon Chung, Elisa Diaferia & Juri Simoncini, Gustav Gaston, Enxhi Mehmeti **Exhibition:** Sequence for an Optimal Dispatch **Venue:** [ aaaa nordhavn ](https://www.aaaanordhavn.com/?ref=catapult-platform.art) **City:** Copenhagen, Denmark **Dates:** August 20, 2026 – September 29, 2026 **Address:** Gammel Kalkbrænderi Vej 68, 2100 Copenhagen **Curator:** Guilherme Vilhena Martins **Photography:** Brian Kure *Sequence for an Optimal Dispatch* brings together [**Villiam Miklos Andersen**](https://villiammiklosandersen.com/?ref=catapult-platform.art), [**Jiyoon Chung**](https://jyjenchung.com/Main?ref=catapult-platform.art), [**Elisa Diaferia and Juri Simoncini**](https://simoncinidiaferia.com/?ref=catapult-platform.art), [**Gustav Gaston**](https://gustavgaston.com/feed/?ref=catapult-platform.art), and [**Enxhi Mehmeti**](https://yvaawards.org/a-wardee/enxhi-mehmeti/?ref=catapult-platform.art) at aaaa nordhavn in Copenhagen, curated by [**Guilherme Vilhena Martins**](https://www.gvilhenamartins.com/curatorial-projects?ref=catapult-platform.art) and on view through September 29, 2026\. ![Exhibition review of Sequence for an Optimal Dispatch at aaaa nordhavn, Copenhagen, 2026. Hanging cord with pink bottles, an acrylic crate and a wooden crate by tall windows.](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/sequence-optimal-dispatch-aaaa-copenhagen-2026-installation-01.webp) ****Sequence for an Optimal Dispatch**, installation view with Elisa Diaferia & Juri Simoncini, Heavy rotation (Anohni performing Sometimes I feel like a motherless child at Primavera Sound 2025), 2026, and Villiam Miklos Andersen, Just-in-Time, 2025, aaaa nordhavn, Copenhagen, 2026\. Photo: Brian Kure. Andersen's *Just-in-Time* places a wooden transport crate for live animals, stickered LIVE ANIMALS, next to a replica in coloured acrylic glass, complete with grid door, hazard labels and a padlock. Gaston's *Winner Winner Chicken Dinner* leans a driftwood post against the wall, bound with found material from bullet casings to a fish jaw bone and glass from a bus station window, with a motor, drive belt and wheel at its base. ![Exhibition review of Sequence for an Optimal Dispatch at aaaa nordhavn, Copenhagen, 2026. Pink bottles on a ceiling cord, yellow wax roll on the floor, two crates behind.](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/sequence-optimal-dispatch-aaaa-copenhagen-2026-installation-02.webp) ****Sequence for an Optimal Dispatch,** installation view with Elisa Diaferia & Juri Simoncini, Heavy rotation (Anohni performing Sometimes I feel like a motherless child at Primavera Sound 2025), 2026, and Villiam Miklos Andersen, Just-in-Time, 2025, aaaa nordhavn, Copenhagen, 2026\. Photo: Brian Kure. Juri Simoncini & Elisa Diaferia hang Heavy rotation (Anohni performing Sometimes I feel like a motherless child at Primavera Sound 2025), a UV print on pulpboard, from the ceiling, with travel-size Listerine bottles strung below it, while Mehmeti shows a mechanical pencil drawing and Chung a sound work. ## Below is curator Guilherme Vilhena Martins' text for the show: *Sequence for an Optimal Dispatch* is grounded in a simple proposition: rhythm is disciplinary, and logistics is one of its regimes. Logistics fundamentally consists of moving things from one place to another. > The point is that rhythm organizes bodies. Things are bodies, too (bodies are things for logistics). Time determines the conditions of that movement: an array of spaces traversed at a specific rhythm. Rhythm, in turn, is an ethical and political category. One may move fast or slow. Too fast or too slow (ask your boss, your local tax office, etc.)—upbeat if in a rush, piano for slowing down. ![Exhibition review of Gustav Gaston: Sequence for an Optimal Dispatch at aaaa nordhavn, Copenhagen, 2026. Weathered driftwood post bound with rope and objects, metal wheel at its base.](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/gustav-gaston-winner-winner-chicken-dinner-aaaa-copenhagen-2026-work.webp) ![](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/gustav-gaston-winner-winner-chicken-dinner-aaaa-copenhagen-2026-detail-01.webp) ****Gustav Gaston,** Winner Winner Chicken Dinner, 2026, installation view, Sequence for an Optimal Dispatch, aaaa nordhavn, Copenhagen, 2026\. Photo: Brian Kure. ![Exhibition review of Villiam Miklos Andersen: Sequence for an Optimal Dispatch at aaaa nordhavn, Copenhagen, 2026. Iridescent green acrylic crate in front of a brown shipping crate by a window.](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/villiam-miklos-andersen-just-in-time-aaaa-copenhagen-2026-work-01.webp) ![](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/villiam-miklos-andersen-just-in-time-aaaa-copenhagen-2026-work-02.webp) ****Villiam Miklos Andersen**, Just-in-Time, 2025, installation view, Sequence for an Optimal Dispatch, aaaa nordhavn, Copenhagen, 2026\. Photo: Brian Kure. The point is that rhythm organizes bodies. Things are bodies, too (bodies are things for logistics). The experience of rhythm is complicated, though, immersive. Rhythm imposes and produces a sense of cadence, acceleration, or detachment, according to a logic of arrival and departure. It becomes logistical when the movement of bodies is measured in time, according to a predetermined sequence: pick-up, transit, transfer, and delivery–teleological, goal-oriented, function-driven. Still, rhythm is what makes movement intelligible and repeatable. ![Exhibition review of Elisa Diaferia & Juri Simoncini: Sequence for an Optimal Dispatch at aaaa nordhavn, Copenhagen, 2026. Printed cut-out on a ceiling cord with pink bottles, yellow roll below.](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/elisa-diaferia-juri-simoncini-heavy-rotation-aaaa-copenhagen-2026-work.webp) ****Elisa Diaferia & Juri Simoncini,** Heavy rotation (Anohni performing Sometimes I feel like a motherless child at Primavera Sound 2025), 2026, installation view, Sequence for an Optimal Dispatch, aaaa nordhavn, Copenhagen, 2026\. Photo: Brian Kure. ![Exhibition review of Enxhi Mehmeti: Sequence for an Optimal Dispatch at aaaa nordhavn, Copenhagen, 2026. Framed grey pencil drawing of a kneeling woman beside a sheep-bodied figure.](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/enxhi-mehmeti-mami-und-babi-aaaa-copenhagen-2026-work-1.webp) ****Enxhi Mehmeti,** Mami und Babi, früher wie heute, 2025, installation view, Sequence for an Optimal Dispatch, aaaa nordhavn, Copenhagen, 2026\. Photo: Brian Kure This experience can be dissected in many ways. Andersen's strategy, for instance, is to expose and reappropriate the objects and infrastructures that organise contemporary life through systems of optimisation, circulation, and control. In this sense, *Just-in-time* (2025) materialises the pinnacle of that entanglement, the peak of logistical optimization: two shipping boxes (an original and a crafted, glimmering replica in acrylic glass) designed for transportation of live animals–minimum space, produced for the lowest possible price, so that everything arrives in time, bodies fitting inside. Gaston, on the other hand, introduces an important notion into this wider constellation. *Winner Winner Chicken Dinner*(2026) several elements found along the coastline with a redundant mechanism centred around a wheel. ![Exhibition review of Villiam Miklos Andersen: Sequence for an Optimal Dispatch at aaaa nordhavn, Copenhagen, 2026. Transparent padlock and chain on an iridescent green acrylic grid door.](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/villiam-miklos-andersen-just-in-time-aaaa-copenhagen-2026-detail-02.webp) ****Villiam Miklos Andersen**, Just-in-Time, 2025, detail, Sequence for an Optimal Dispatch, aaaa nordhavn, Copenhagen, 2026\. Photo: Brian Kure. ![Exhibition review of Villiam Miklos Andersen: Sequence for an Optimal Dispatch at aaaa nordhavn, Copenhagen, 2026. Engraved LIVE ANIMALS label plate screwed onto a blue acrylic crate lid.](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/villiam-miklos-andersen-just-in-time-aaaa-copenhagen-2026-detail-03.webp) ****Villiam Miklos Andersen,** Just-in-Time, 2025, detail, Sequence for an Optimal Dispatch, aaaa nordhavn, Copenhagen, 2026\. Photo: Brian Kure. This underlines an important tension: on the one hand, it points to garbage - the byproduct of logistics - as a form of still life, somewhat of an archaeological object; on the other, the wheel is the ultimate symbol of industrial rhythm, the cornerstone of production understood as movement. Together, these two dimensions comprise the complexity of overproduction and movement as both intentional (what is shipped) and residual (what has been left behind). This is precisely the movement Diaferia and Simoncini touch upon. *Heavy rotation (Anohni performing "Sometimes I feel like a motherless child" at Primavera Sound 2025)* (2026) encapsulates this narrative dimension as a blown-up storyboard hanging from the ceiling. ![Exhibition review of Elisa Diaferia & Juri Simoncini: Sequence for an Optimal Dispatch at aaaa nordhavn, Copenhagen, 2026. Blue cut-out print of a squid over microphones and tyres, lettered Heavy Rotation.](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/elisa-diaferia-juri-simoncini-heavy-rotation-aaaa-copenhagen-2026-detail-04.webp) ****Elisa Diaferia & Juri Simoncini,** Heavy rotation (Anohni performing Sometimes I feel like a motherless child at Primavera Sound 2025), 2026, detail, Sequence for an Optimal Dispatch, aaaa nordhavn, Copenhagen, 2026\. Photo: Brian Kure. Continuing an existing thread of their practice, the duo draw from a live exhibition of Anohni's 2025 series of concept shows "Mourning the Great Barrier Reef", creating an autonomous byproduct of a sonic fact. The *Heavy rotation* series functions as a pirate, imaginary collection of altered sonic memorabilia. The duo formalises that dimension through a visual language that borrows directly from musical language. This reference to sound is key, for sound is perhaps the most tangible form of rhythm. Rhythm is spatial, bodily. Sound is a sign—a fever, a form of dazzle, an embodied haze. It encapsulates time. Sound carries bodies along: it accelerates, slows down, immerses them in a specific rhythm. Chung inhabits precisely that plane. ![Exhibition review of Elisa Diaferia & Juri Simoncini: Sequence for an Optimal Dispatch at aaaa nordhavn, Copenhagen, 2026. Red plastic mouth on the ceiling biting a gold coin, black cord below.](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/elisa-diaferia-juri-simoncini-heavy-rotation-aaaa-copenhagen-2026-detail-05.webp) ****Elisa Diaferia & Juri Simoncini,** Heavy rotation (Anohni performing Sometimes I feel like a motherless child at Primavera Sound 2025), 2026, detail, Sequence for an Optimal Dispatch, aaaa nordhavn, Copenhagen, 2026\. Photo: Brian Kure. *THEE PSYCO KILLAH TRASHBOI MAKES MONEY TREES INTO GRAIN AND YOUR WISH CANCELLED SO THAT FLOW ACE WAVES THRESHOLD* (2023) assembles a mesh of scores that could easily belong in a non-place: an airport, a mall, a parking lot. These are the places where the entanglement of rhythm, movement, and logistics most notably comes to the surface. Mehmeti's *Mami und Babi, früher wie heute* (2025) adds one final important dimension to the myth of permanent movement: the nuclear family captured in the family portrait. Here they are, floating in an opaque, whimsical hut, a picture as odd, singular, and peculiar as it is banal. The nuclear family is another rhythmic structure, a form of reproduction. It is itself a form of logistics supporting logistics: a structure for organising reproduction, labour, care, and repetition. ![Exhibition review of Elisa Diaferia & Juri Simoncini: Sequence for an Optimal Dispatch at aaaa nordhavn, Copenhagen, 2026. Ornate beeswax roll wrapped in yellow padding on a pine floor.](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/elisa-diaferia-juri-simoncini-heavy-rotation-aaaa-copenhagen-2026-detail-06.webp) ****Elisa Diaferia & Juri Simoncini,** Heavy rotation (Anohni performing Sometimes I feel like a motherless child at Primavera Sound 2025), 2026, detail, Sequence for an Optimal Dispatch, aaaa nordhavn, Copenhagen, 2026\. Photo: Brian Kure. ![Exhibition review of Elisa Diaferia & Juri Simoncini: Sequence for an Optimal Dispatch at aaaa nordhavn, Copenhagen, 2026. Pink mouthwash bottles tied to a black cord above a pine floor.](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/2026/09/elisa-diaferia-juri-simoncini-heavy-rotation-aaaa-copenhagen-2026-detail-07.webp) ****Elisa Diaferia & Juri Simoncini,** Heavy rotation (Anohni performing Sometimes I feel like a motherless child at Primavera Sound 2025), 2026, detail, Sequence for an Optimal Dispatch, aaaa nordhavn, Copenhagen, 2026\. Photo: Brian Kure. Altogether, these positions form an itinerary: a particular path, traversed at a particular rhythm. *Sequence for an Optimal Dispatch* gathers the objects, rhythms, fictions, and infrastructures through which contemporary movement is organised, rendering them visible as material form. The exhibition could just as well be a warehouse of wonder, lost in a city suburb or an intermodal district, for it mirrors not only the disciplinary project of rhythm, but its very architecture—one of cadence and belief. Text: Guilherme Vilhena Martins --- **About the Artists** **Villiam Miklos Andersen** Shows Just-in-Time, 2025, wood, grid, coloured acrylic glass, accessories and a transport crate. **Jiyoon Chung** Shows THEE PSYCO KILLAH TRASHBOI MAKES MONEY TREES INTO GRAIN AND YOUR WISH CANCELLED SO THAT FLOW ACE WAVES, 2023, sound. **Elisa Diaferia & Juri Simoncini** Show Heavy rotation (Anohni performing Sometimes I feel like a motherless child at Primavera Sound 2025), 2026, part of their Heavy rotation series. **Gustav Gaston** Shows Winner Winner Chicken Dinner, 2026, found objects from driftwood and bullet casings to a motor and drive belt. **Enxhi Mehmeti** Shows Mami und Babi, früher wie heute, 2025, mechanical pencil on paper. **About the Location** **aaaa nordhavn, Copenhagen** aaaa nordhavn is a commercial gallery in a former mini-market opposite Nordhavn station, founded in 2021 by Aske Aagaard Andersen, showing emerging Nordic and international artists. [Website](https://www.aaaanordhavn.com/?ref=catapult-platform.art) · [Instagram](https://www.instagram.com/aaaanordhavn/?ref=catapult-platform.art) **About Catapult Contemporary - Art Platform Submission** This is an exhibition review published by Catapult - an independent editorial platform for contemporary art, based in Vienna. We publish exhibition reviews, artist features, interviews, and critical context, with a focus on emerging and mid-career practices from Europe and beyond. [catapult-platform.art](https://www.catapult-platform.art/) · [Instagram](https://www.instagram.com/catapultcontemporary/?ref=catapult-platform.art) Want to be featured? 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