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# The Politics of Showing Art
- URL: https://www.catapult-platform.art/the-politics-of-showing-art/
- Published: 2025-10-14T09:28:35.000Z
- Updated: 2025-10-28T08:00:09.000Z
- Description: Can we separate art from politics? Why showing a Russian artist feels wrong while a Ghanaian feels right, a reflection on bias and art’s true freedom.
- Author: Dominique Catherina Foertig
- Tags: Catapult - uncensored

> “Apparently, art only matters when it’s from the right kind of suffering.”

## The new moral geography

We love to believe **art transcends politics**. Until it doesn’t.  
Until you post a Russian artist and someone sends you a DM that starts with “Are you aware…?”

> *Show Ghana and you’re praised. Show Russia and you’re suspect.*

Apparently, we can’t be supportive and curious at the same time. You have to choose your side: **victim or villain**.

---

### The good, the bad, the curated

Both artists live under regimes that silence, censor, and manipulate.  
So why is one framed as the oppressed and the other as the oppressor? **Geography. Optics. Hashtags.**

[I want the edge](https://www.catapult-platform.art/#/portal)

I keep wondering: if an artist can be a narcissist, a liar, a monster, and still make something that moves us, **why can’t an artist simply be an individual?**  
Being born under a tyrant doesn’t mean loyal to one.

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### Sorting ethics like hashtags

Not every Israeli artist supports their government. Not every Palestinian artist supports Hamas.  
Not every Swede votes right wing, and not every American artist owns a flag.

Yet the art world loves its **moral sorting hat**.  
Good victim. Bad participant. Approved suffering. Cancelled passport.  
It’s easier to **perform ethics** than to practice them.

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### The small ones in the machine

And yes, I get it. There are times when you have to draw lines, **when the money behind a show stinks of propaganda**, or when a museum turns a blind eye to war crimes for the sake of diplomacy.

> *The smell of turpentine doesn’t change with the flag.*

But most of us aren’t curating power. **We’re curating people.**  
Artists who wake up, try to make rent, paint, code, photograph, write, all while their governments make it harder.

---

### When neutrality becomes a myth

We keep pretending **art is neutral**. In truth it’s the **last honest place left**, because artists don’t have PR departments, only nerves.  
  
They create under pressure, under fear, under censorship, under hope. Sometimes all at once.

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### Confession

I don’t have an answer.  
I just know that if I start filtering art by nationality, I’ll become the very system I claim to critique.  
  
I’ll stop seeing the person and start seeing the **passport**.  
And that’s the moment **art dies**.

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### Let them speak

Maybe the revolution isn’t boycotting individuals. Maybe it’s **giving them a platform despite their governments.**

> *The moment we stop listening, we’re not fighting tyranny anymore. We’re copying it.*

  
Let the small voices speak, even if they come from the wrong side of the map.

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**I’m trying. We all are.**  
Dominique’s Lost in Translation.  
New series every Tuesday.  
If nothing breaks, burns, or beeps.

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[Stefan Bakmand: Neon Spores, Tender DiagramsStefan Bakmand maps a mycelial cosmology in neon and ink, where spores turn into myths and paper feels alive.![](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/icon/munchies-art-club-magazine-368.png)Catapult - The New Munchies Art Club | Critical CuratorsDominique Catherina Foertig![](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/thumbnail/stefan-bakmand-wolf-myth-register.webp)](https://www.catapult-platform.art/stefan-bakmand-neon-spores-tender-diagrams/)

Next Read: Artist - Spotlight - Stefan Bakmand

**We write without filters. No PR polish, no safe takes, no art-speak gymnastics. Just what hits us, what hurts, and what won’t let go.**

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[Monday Bitch #1\. The Thank-You That Never CameA short art-world exorcism every Monday. One thought, one scream, one deep breath after.![](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/icon/munchies-art-club-magazine-367.png)Catapult - The New Munchies Art Club | Critical CuratorsDominique Catherina Foertig![](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/thumbnail/image-3.gif)](https://www.catapult-platform.art/monday-bitch-1-the-thank-you-that-never-came/)

Monday Bitch #1

[What We’re Checking Out This Weekend: Ibrahim Mahama at Kunsthalle WienWhat we are checking out this weekend: Ibrahim Mahama at Kunsthalle Wien, a train on metal bowls where art remembers what the world forgets.![](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/icon/munchies-art-club-magazine-380.png)Catapult - The New Munchies Art Club | Critical CuratorsDominique Catherina Foertig![](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/thumbnail/kunsthalle-wien-now-2.webp)](https://www.catapult-platform.art/visit-kunsthalle-wien/)

Kunsthalle Wien 

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