Riikka Anttonen Turns the Spinning Top Into a Machine for Metamorphosis
Read our independent review of Riikka Anttonen's Vertere at Sinne, Helsinki, with spinning-top sculptures turning Ovid's Metamorphoses into marble mosaic.
Catapult Submissions Team
Editorial submissions for exhibitions, projects, and artist features on Catapult – The New Munchies Art Club. Entry point for artists, galleries, and institutions.
Elena Adamou Finds Sacred Icons in the Weeds Nobody Names
Explore our archive review of Elena Adamou's Iconographies; Tiny Resistance, Crevices and Other Creatures at primopiano, Montesilvano (2026).
Leah Dixon Gives the Wheel a Different Inventor
Leah Dixon with Tartan Tartana at Spiritvessel in Espinavessa, curated and text by Sira Pizà, on view through September 12, 2026.
When External Rules Become Internal Convictions
Umrian Gallery presents Soft Power, a group show by Aziya, Bartoníčková, Roztočilová and Šáteková on how power lives inside routine.
Daria Maiier and Sofiia Yesakova Turn Violence Into a Ceremony
Read our independent art analysis of Daria Maiier and Sofiia Yesakova at ROAM projects in Berlin. Exploring violence, ritual and materiality.
Maija Fox Leaves Fingerprints on a Material Built to Have None
A Conversation between Ellery and Maija Fox in the OUTPOST courtyard about her exhibition As the sap rises in Norwich: cast aluminium, Baltic granite, and the labour of the workshop.
Sebastian Scholz Keeps Building the Room He Never Left
An independent review of Sebastian Scholz's ludo at Global International, Vienna, where objects, drawings and materials return to the logic of childhood play.
Jaakko Myyri Gives the Birds Back Their Silo
Catapult reviews White Nights at AaltoSiilo in Oulu, where six artists read Alvar Aalto’s former cellulose silo through steel, AI systems, and memories of labor. Curatorial text by Jaakko Myyri.
Agnieszka Topolska Keeps a Crushed Water Bottle Under Glass Like Evidence
Exhibition review of Agnieszka Topolska’s Call It Fate, Call It Karma at Galeria Skala in Poznań, featuring a crushed water bottle and cast reliefs.
The Interruption Is Where the Meaning Starts
Charis Judith presents new marble, bronze and glass sculptures in her Berlin solo studio exhibition We Are Being Carried Somewhere. Feature text by David Sharp.
Sofiia Yesakova and Matilde Sambo at Phantom Pförtnerhaus Berlin
Phantom Pförtnerhaus presents Chapter II in Berlin. Sofiia Yesakova and Matilde Sambo on fragmentation, persistence, and material form. Through 12 July 2026.
Poison Blooms Here in Permanent Spring
Anna Mari Liivrand’s Amid Bitter Flowers fills the Contemporary Art Museum of Estonia with a fragile garden of poisonous plants, iron, glass, and found objects that refuse to separate the sacred from the discarded.
Light Does Not Arrive. It Persists. Galerie Leu Munich
Julia Selin's Sun's Show at Galerie Leu Munich brings process-based oil paintings where light is released from within the surface. Through June 13, 2026.
Care and Control Share a Vocabulary
Vivienne Sun at a.d.b.k. Nürnberg. Sculptures from medical furniture, resin, and wood suspended between care and control.
Everything That Accelerates Leaves Something Behind
Sinne presents Maija Fox's Hard Shoulders in Helsinki. Cast metal and woven wire where infrastructure and marsh ecology meet. Curated by Markus Aström
Neither Metaphor Nor Pet: A Preview
Kunsthalle Bern presents Lin May Saeed. Sculptures and drawings by the German Iraqi artist who made speciesism a material question. Until May 2026.
Matti Sumari at SIC Helsinki with Worker Ant After Work. Text by Sophia Person
SIC Helsinki presents Matti Sumari's Worker Ant After Work. Anodized aluminum and found lampposts address precarious labor and identity. Through April 2026.
The Postcard Arrived. The Silence Came with It - Ramesch Daha at TAXISPALAIS Kunsthalle Tirol
TAXISPALAIS Kunsthalle Tirol presents Ramesch Daha: Mein Österreich, postcard murals and archive work trace Austria's history. Curated by Nina Tabassomi