João Maria Gusmão Leaves the Projector in the Room
Explore João Maria Gusmão's Following the White Tiger at Zachęta in Warsaw, where looping 16mm projections run beside their own projectors.
Catapult Submissions Team
Editorial submissions for exhibitions, projects, and artist features on Catapult – The New Munchies Art Club. Entry point for artists, galleries, and institutions.
Iris Helena Hamers Turns the Feed Into Something You Can Walk Around
Iris Helena Hamers at PAW Düsseldorf, September 5–October 11, 2026. Cut-out UV prints, faux fur and sculptural forms. Text by Morgane Billuart.
Tereza Kalousová Builds a World Without Friction
Explore Tereza Kalousová's Sorority at Clauda in Prague, where wooden spheres, a leather mat and upholstered buttons reduce the body to a symbol.
Finbar Prior Turns Agar Membranes into Sculptural Architecture at OUTPOST
Explore Finbar Prior's Tympanums at OUTPOST Gallery in Norwich, where agar membranes, sound and sculpture transform the exhibition space.
Seven Artists Take the Pew, the Horseshoe and the Car Rim Apart
Seven artists explore ritual, memory and material transformation in AUSGEWEIDET / GUTTED at WAF Galerie, Vienna, curated by Leonie Holtkamp.
Gabriel Alonso lets the Leaf Carry the evidence
Explore Gabriel Alonso's A Long Chemical Dream at ATM Galería in Gijón, curated by Cristina Ramos González. Plants, industrial chemicals and vegetal transformation.
Aubrey Theobald and Kristina Popov Look for Phantoms in the Ordinary Details of a Cemetery
Exhibition feature on Aubrey Theobald and Kristina Popov at Phantom Pförtnerhaus, Berlin. A cemetery as a garden against time. September 5–26, 2026.
Zhang Ting Sends the Textbook Boy Off the Prescribed Path
Read our independent art analysis of Zhang Ting's TechDiumMory at TANK Shanghai. Exploring XiaoMing, counterfeit toys, painting and sculpture.
Paulina Semkowicz and the Afterlife of a Painted-Over Wall
Review of Paulina Semkowicz's Residency: The Wall at Galeria S35 in Łódź, a site-specific painting on a wall whose ornament was painted over.
Riikka Anttonen Turns the Spinning Top Into a Machine for Metamorphosis
Read our independent review of Riikka Anttonen's Vertere at Sinne, Helsinki, with spinning-top sculptures turning Ovid's Metamorphoses into marble mosaic.
Elena Adamou Finds Sacred Icons in the Weeds Nobody Names
Explore our archive review of Elena Adamou's Iconographies; Tiny Resistance, Crevices and Other Creatures at primopiano, Montesilvano (2026).
Leah Dixon Gives the Wheel a Different Inventor
Leah Dixon with Tartan Tartana at Spiritvessel in Espinavessa, curated and text by Sira Pizà, on view through September 12, 2026.
When External Rules Become Internal Convictions
Umrian Gallery presents Soft Power, a group show by Aziya, Bartoníčková, Roztočilová and Šáteková on how power lives inside routine.
Daria Maiier and Sofiia Yesakova Turn Violence Into a Ceremony
Read our independent art analysis of Daria Maiier and Sofiia Yesakova at ROAM projects in Berlin. Exploring violence, ritual and materiality.
Maija Fox Leaves Fingerprints on a Material Built to Have None
A Conversation between Ellery and Maija Fox in the OUTPOST courtyard about her exhibition As the sap rises in Norwich: cast aluminium, Baltic granite, and the labour of the workshop.
Sebastian Scholz Keeps Building the Room He Never Left
An independent review of Sebastian Scholz's ludo at Global International, Vienna, where objects, drawings and materials return to the logic of childhood play.
Jaakko Myyri Gives the Birds Back Their Silo
Catapult reviews White Nights at AaltoSiilo in Oulu, where six artists read Alvar Aalto’s former cellulose silo through steel, AI systems, and memories of labor. Curatorial text by Jaakko Myyri.
Agnieszka Topolska Keeps a Crushed Water Bottle Under Glass Like Evidence
Exhibition review of Agnieszka Topolska’s Call It Fate, Call It Karma at Galeria Skala in Poznań, featuring a crushed water bottle and cast reliefs.