Semina Milarokosta Dresses Her Characters for a Planet They Are Not Leaving
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Semina Milarokosta's X-Side at OKAY initiative space in Athens combines kinetic sculptures, wearable objects and video with feminist science fiction.
Niovi Kafantari Paints the Moment an Embrace Has Not Yet Decided
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Explore Niovi Kafantari's The Necessary Other at Opera Gallery London, where oil on cotton paintings rework Titian, Poussin and Delacroix.
When the Landscape Walks Back
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Meet Prague artist Karolína Netolická, whose large soft pastel canvases bring together dark forests, fragmented bodies and traces of overproduction.
Anna Uddenberg's Office Workers Have Become Part of the Chair
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Explore Anna Uddenberg's White Noise at Telegraph Gallery in Olomouc, where office furniture, corporate control and bodily autonomy intersect.
Seongeun Lee Builds a House That Splits Into Two
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Explore Seongeun Lee's Two Houses at Cheongju Art Studio in Cheongju, where painted rotating panels and a house on casters split and reset.
Dorota Gawęda and Eglė Kulbokaitė Set a Table Where Every Chair Holds the Same Face
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Review of I Think My Body No Longer Belongs to Me at roam projects e. V., Berlin, with Tütar Gallery. Painting, sculpture and video on autonomy.
Niki Danai Chania Will Not Let the Lamia Close Her Eyes
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Read our independent review of Niki Danai Chania's Lamiae at the Agora, Bonifacio, part of De Renava's Nimu Dormi, the third edition of the Biennale of Bonifacio, through Nov 5, 2026.
Eva Chenyao He's Bodies Comply Before Anyone Asks Them To
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Read our independent art analysis of Eva Chenyao He's Procrustean at COLLECTA in Shanghai, exploring bodily correction, sculpture and control.
Marwa Arsanios Spends Eight Years Asking Who Land Belongs To.
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An independent review of Marwa Arsanios’s five-part film cycle Who is Afraid of Ideology? at TAXISPALAIS Kunsthalle Tirol in Innsbruck, on view through October 4, 2026.
When External Rules Become Internal Convictions
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Umrian Gallery presents Soft Power, a group show by Aziya, Bartoníčková, Roztočilová and Šáteková on how power lives inside routine.
Maija Fox Leaves Fingerprints on a Material Built to Have None
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A Conversation between Ellery and Maija Fox in the OUTPOST courtyard about her exhibition As the sap rises in Norwich: cast aluminium, Baltic granite, and the labour of the workshop.
Tsvetomira Borisova Suspends an Ancient Gesture Without Resolving it
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Read our independent art review of Tsvetomira Borisova's A Hot Day at lo3eto, Vetren Dol, Bulgaria. Exploring myth, fertility and ceramic form.
Agnieszka Topolska Keeps a Crushed Water Bottle Under Glass Like Evidence
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Exhibition review of Agnieszka Topolska’s Call It Fate, Call It Karma at Galeria Skala in Poznań, featuring a crushed water bottle and cast reliefs.
A Body Rebuilt From the Foundation Up
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TICK TACK presents Hannah Perry's Hard Love in Antwerp's De Zonnewijzer. Steel, resin, sound and installation address matrescence and labour. Through 1 August 2026.
A Body That Keeps Arriving in Countries Where It Does Not Speak the Language
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NAK Aachen presents Elen Braga's first institutional solo exhibition: textile installations on migration, xenophobia, and identity. Through 26 July 2026.
Sungho Bae: Soft Bodies Against Coherence
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Through gathering and reorganizing circulated materials, Sungho Bae unsettles systems of classification and stability. In doing so, the body emerges not as a fixed whole but as a constructed condition.
Paulina Olowska, Caroline Walker, Adéla Janská: Za Pultem (Behind the Counter)at Telegraph Gallery, Olomouc
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Paulina Olowska, Caroline Walker and Adéla Janská at Telegraph Gallery, Olomouc. A spatial exhibition on painting, labour and visibility.