Taylah Hasaballah Hands the Surface Over to Salt, Iron and Time
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Taylah Hasaballah's INDICATRIX at The Address in Milan and Brescia explores entropy, time and chemically driven painting. On view until November 10, 2026.
Patrick Bérubé Puts an AI-Generated Forest Next to Real Mycelium
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Explore Patrick Bérubé’s Et ainsi de suite… (And So On…) at Plein Sud, Longueuil, where mycelium, copper and AI-generated imagery examine nature, technology and time
Why Jakob Lena Knebl’s Sommerfrische at the Marmorschlössl Stayed With Us
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We travelled to Bad Ischl already admiring Jakob Lena Knebl’s work. At Sommerfrische, mythology, fashion, art history and humour meet the extraordinary setting of the Marmorschlössl in an exhibition that stayed with us long after we left.
Sari Palosaari Maps Lichen onto Images of the Earliest Galaxies
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Read our independent art analysis of Sari Palosaari's Substrate at Forum Box in Helsinki. Exploring lichen casts, solar panels and found metal.
Dorota Gawęda and Eglė Kulbokaitė Set a Table Where Every Chair Holds the Same Face
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Review of I Think My Body No Longer Belongs to Me at roam projects e. V., Berlin, with Tütar Gallery. Painting, sculpture and video on autonomy.
Xenia Lesniewski Hides a Leg Inside a Torn-Open Gift Box
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Xenia Lesniewski and Galerie Zeller van Almsick won the Bildrecht ASTORIA Art Award 2026 at Astoria Artshow in Vienna, on view through September 13.
The Image Falls Apart the Closer You Get
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Discover our Artist in Focus feature on Jaebum Joo, whose pixel paintings and sculptures turn personal memory into a public, shared image.
Leah Dixon Gives the Wheel a Different Inventor
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Leah Dixon with Tartan Tartana at Spiritvessel in Espinavessa, curated and text by Sira Pizà, on view through September 12, 2026.
Erekle Chinchilakashvili Threads Tbilisi's Memory Through a Steel Frame
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Read our independent review of Erekle Chinchilakashvili's The Story of a Thread Seen Through the Window at The Why Not Gallery, Tbilisi. Memory, painting and archive.
A Form Doesn't Die. It Comes Back Different.
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Ernst Koslitsch at Bildraum 07 Vienna. Formwork timber in altered constellations, curated by Katharina Hoffmann. 17 April – 27 May 2026.
Wanting to Win Was Always About Not Being Left Alone
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Kunstverein Wilhelmshöhe presents Finja Sander's site-specific exhibition on grief, intimacy, and collective memory in Ettlingen, through May 31, 2026. Curated by Alex Besta
Soft Machinery: A Poetry of Distorted Paths
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Shirley Fu on hybrid forms, found tyres, silicone flesh, and the tension between control and chance, in conversation with Di Franco for Catapult
Matti Sumari at SIC Helsinki with Worker Ant After Work. Text by Sophia Person
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SIC Helsinki presents Matti Sumari's Worker Ant After Work. Anodized aluminum and found lampposts address precarious labor and identity. Through April 2026.
A Body Held in Suspension Has Not Stopped Living
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PART (International Art Residency Austria) presents still (a little life) at The Hall Vienna. Neven Allgeier, Judith Eisler, and Pakui Hardware on suspension, perception, and the body. Curated by Barbara Horvath.
Paulina Olowska, Caroline Walker, Adéla Janská: Za Pultem (Behind the Counter)at Telegraph Gallery, Olomouc
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Paulina Olowska, Caroline Walker and Adéla Janská at Telegraph Gallery, Olomouc. A spatial exhibition on painting, labour and visibility.
Can Painting Hold a Body That Refuses to Settle? Michele Gabriele Between Image and Presence
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Michele Gabriele works across painting, sculpture, and performance, building figures that test perception, materiality, and the instability of identity