Why Jakob Lena Knebl’s Sommerfrische at the Marmorschlössl Stayed With Us
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We travelled to Bad Ischl already admiring Jakob Lena Knebl’s work. At Sommerfrische, mythology, fashion, art history and humour meet the extraordinary setting of the Marmorschlössl in an exhibition that stayed with us long after we left.
Amelia Woroszyl Treats Superstition as a Design Principle
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Read our review of Amelia Woroszyl's Silly! Devil! at Crum Heaven in Stockholm, curated by Marianna Lomza. On talismans and decorative excess.
Niki Danai Chania Will Not Let the Lamia Close Her Eyes
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Read our independent review of Niki Danai Chania's Lamiae at the Agora, Bonifacio, part of De Renava's Nimu Dormi, the third edition of the Biennale of Bonifacio, through Nov 5, 2026.
Riikka Anttonen Turns the Spinning Top Into a Machine for Metamorphosis
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Read our independent review of Riikka Anttonen's Vertere at Sinne, Helsinki, with spinning-top sculptures turning Ovid's Metamorphoses into marble mosaic.
Elena Adamou Finds Sacred Icons in the Weeds Nobody Names
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Explore our archive review of Elena Adamou's Iconographies; Tiny Resistance, Crevices and Other Creatures at primopiano, Montesilvano (2026).
Leah Dixon Gives the Wheel a Different Inventor
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Leah Dixon with Tartan Tartana at Spiritvessel in Espinavessa, curated and text by Sira Pizà, on view through September 12, 2026.
Kallirroi Ioannidou Paints Bodies That Cannot Decide What They Are
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Read our independent art analysis of Kallirroi Ioannidou's Galvanizing Memories at Kallmann-Museum, Ismaning. On memory, myth, and hybrid bodies.
Tsvetomira Borisova Suspends an Ancient Gesture Without Resolving it
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Read our independent art review of Tsvetomira Borisova's A Hot Day at lo3eto, Vetren Dol, Bulgaria. Exploring myth, fertility and ceramic form.
After Stone, Dimitrios Antonitsis Lets the Island Dream in Water
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An independent review of Hydor/Onar (Water of Dreams) at Hydra School Projects on Hydra Island, curated by Dimitrios Antonitsis, through Sept 6.
Looking Up Is Also a Way of Questioning the Ground - Rotor Graz
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Rotor Graz presents A Parable for Endings and Beginnings We Don't Know Yet, Part 1: The Giant Bird, with artists exploring mythological creatures, from 29 May to 1 August and 24 August to 5 September 2026.
Space Expands Toward the Viewer. So Does Belief.
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The Edit Gallery presents The Greatest Nation Ever, Yeti’s first solo exhibition at the gallery in Limassol. Paintings, sculpture, and installation. Catapult Contemporary Review
Alejandro Monge’s Synthetic Future at LA BIBI Gallery in Palma de Mallorca
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LA BIBI Gallery presents Synthetic Future by Alejandro Monge in Palma de Mallorca. Resin and cement sculptures on hyperconnectivity, isolation, and the synthetic body.
Joan Bonnemaison in Focus, Painting Between Reality and Illusion
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Joan Bonnemaison paints scenes suspended between the real and the illusory, carousels and veils rendered in drowned greens. A Catapult Artist in Focus.
A Form Doesn't Die. It Comes Back Different.
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Ernst Koslitsch at Bildraum 07 Vienna. Formwork timber in altered constellations, curated by Katharina Hoffmann. 17 April – 27 May 2026.
When Language Recedes, Architecture Remains
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Olivia Rode Hvass's floating reed house at Skt. Hans Psychiatry, Roskilde, part of the nomadic Museet for Samtidskunst. A foam cocoon, a monument to care, built to be burned.
Pierre-Yves Delannoy: Soft Structures of Memory
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Artist in Focus: Pierre-Yves Delannoy builds textile environments where the body, memory and marginal histories surface through repetitive gestures.
Yuma Radne and the Return of Myth in Contemporary Painting
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How Yuma Radne brings Buryat mythology into contemporary painting, exploring identity, memory, and myth through vivid, symbolic works.
Hydra School Projects: Lithos/Lethe curated by Dimitrios Antonitsis
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A slow summer walk leads to Hydra Island’s High School, which in summer becomes home to the Hydra School Project. Here, Dimitrios Antonitsis curates ‘Lithos/Lethe’, uniting nine artists in a living dialogue between stone, memory, and place.
