A Sculpture No One Is Allowed to Enter, Repaired by Everyone Anyway
This review documents Reparaturgesellschaft, a group exhibition featuring eight artists at the Wewerka Pavilion, which ran through August 2, 2026.
Material & Sculpture
Articles exploring sculpture, material processes, and works where the physical substance of the medium shapes the meaning of the piece.
Roland Reiter Turns Salvaged Vehicle Parts Into Bodies That Refuse a Name
Read our independent review of Roland Reiter’s No matter what it is, but it matters what it could be at Neue Galerie Graz. Exploring sculpture, vehicle parts and posthumanism in Graz.
What We See, What Looks Back at Us at Emergency Space, Paris
Read our review of the group show What We See, What Looks Back at Us at Emergency Space, Paris, on the mutual gaze between object and viewer. Curated by Egor Miroshnichenko
Too Big for a Living Room, Too Intimate for a Museum
An independent review of Signal V, A Selection of Objects and Installations from the Robert Runták Collection at Telegraph Gallery, Olomouc, through 24 September 2026.
A Body Rebuilt From the Foundation Up
TICK TACK presents Hannah Perry's Hard Love in Antwerp's De Zonnewijzer. Steel, resin, sound and installation address matrescence and labour. Through 1 August 2026.
Erekle Chinchilakashvili Threads Tbilisi's Memory Through a Steel Frame
Read our independent review of Erekle Chinchilakashvili's The Story of a Thread Seen Through the Window at The Why Not Gallery, Tbilisi. Memory, painting and archive.
![Alt Text: Patrick Bérubé, (Ce)pendant [(Now)ever], Musée d'art de Joliette, 2026, wide view exhibition view, catapult contemporary rev](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/size/w400/2026/07/patrick-berube-cependant-museejoliette-quebec-2026-hero.webp)
Ruins That Keep Growing
Musée d'art de Joliette presents Patrick Bérubé's (Ce)pendant, where mycelium, bronze, and silk stage ruins that are still forming. Through September 7, 2026.
Devotion Begins Where Function Runs Out
Skånes konstförening presents Object of Devotion, works by Ville Laurinkoski and Matti Sumari in Malmö, curated by Tawanda Appiah. Through 14 June 2026.
After Stone, Dimitrios Antonitsis Lets the Island Dream in Water
An independent review of Hydor/Onar (Water of Dreams) at Hydra School Projects on Hydra Island, curated by Dimitrios Antonitsis, through Sept 6.
The Dead Do Not Log Off Anymore
Raleigh Chapel presented Nicola Genovese's Infinite Stage, Chapter I in London, pairing griefbots and aging bodies in performance and sculpture. Through 28 June 2026.
The Interruption Is Where the Meaning Starts
Charis Judith presents new marble, bronze and glass sculptures in her Berlin solo studio exhibition We Are Being Carried Somewhere. Feature text by David Sharp.
KiefferWoodtli’s AXES at Alvarez Chida in Mexico City
KiefferWoodtli present AXES at Alvarez Chida in Mexico City. Sculpture, installation, drawing, sound, and solar data map orientation as a fragile act. Through July 10, 2026.
Sofiia Yesakova and Matilde Sambo at Phantom Pförtnerhaus Berlin
Phantom Pförtnerhaus presents Chapter II in Berlin. Sofiia Yesakova and Matilde Sambo on fragmentation, persistence, and material form. Through 12 July 2026.
Poison Blooms Here in Permanent Spring
Anna Mari Liivrand’s Amid Bitter Flowers fills the Contemporary Art Museum of Estonia with a fragile garden of poisonous plants, iron, glass, and found objects that refuse to separate the sacred from the discarded.
Camouflage Means the Landscape Was Already Watching You
Katharina Busl builds a forest theater at Paltz Biënnale 2026, Soest. Camouflage tarps, silicone masks, sculptural ear forms. On view through June 21.
A Body Breathes Whether or Not Anyone Thinks to Listen
Rahel Oberhummer presents Still Breathing at Maison Visinand, Montreux. Glass sculptures with glacial ice cores. Curated by Audrey Beyeler and Noor Diba.
The Architecture Had Already Become Image
PS ROY presents Gwon Osang's SCULPTURE CENTER 4/4 in Seoul. Photography adhered to foam turns five walls into a virtual interior.
Something is Soft in the Horror Section
Daniel Ferstl sews, inks, and assembles. Vienna-based. A Catapult Artist in Focus on comfort and dread as materials of the same practice.