Marwa Arsanios Spends Eight Years Asking Who Land Belongs To.
An independent review of Marwa Arsanios’s five-part film cycle Who is Afraid of Ideology? at TAXISPALAIS Kunsthalle Tirol in Innsbruck, on view through October 4, 2026.
Nature & Ecology
Articles exploring nature, ecology, and the relationship between artistic practice and the environment.
Elena Adamou Finds Sacred Icons in the Weeds Nobody Names
Explore our archive review of Elena Adamou's Iconographies; Tiny Resistance, Crevices and Other Creatures at primopiano, Montesilvano (2026).
Maija Fox Leaves Fingerprints on a Material Built to Have None
A Conversation between Ellery and Maija Fox in the OUTPOST courtyard about her exhibition As the sap rises in Norwich: cast aluminium, Baltic granite, and the labour of the workshop.
![Alt Text: Patrick Bérubé, (Ce)pendant [(Now)ever], Musée d'art de Joliette, 2026, wide view exhibition view, catapult contemporary rev](https://storage.ghost.io/c/1c/24/1c2478ff-417d-4e88-8226-288af467f6b9/content/images/size/w400/2026/07/patrick-berube-cependant-museejoliette-quebec-2026-hero.webp)
Ruins That Keep Growing
Musée d'art de Joliette presents Patrick Bérubé's (Ce)pendant, where mycelium, bronze, and silk stage ruins that are still forming. Through September 7, 2026.
Looking Up Is Also a Way of Questioning the Ground - Rotor Graz
Rotor Graz presents A Parable for Endings and Beginnings We Don't Know Yet, Part 1: The Giant Bird, with artists exploring mythological creatures, from 29 May to 1 August and 24 August to 5 September 2026.
A Body That Learns to Rot Slower Than the Room Around It
Pani Domu presents Kamil Kukla's Silva in Poznań. Paintings, gouaches, and sculptures where forests absorb debris and bodies stop resolving.
KiefferWoodtli’s AXES at Alvarez Chida in Mexico City
KiefferWoodtli present AXES at Alvarez Chida in Mexico City. Sculpture, installation, drawing, sound, and solar data map orientation as a fragile act. Through July 10, 2026.
Poison Blooms Here in Permanent Spring
Anna Mari Liivrand’s Amid Bitter Flowers fills the Contemporary Art Museum of Estonia with a fragile garden of poisonous plants, iron, glass, and found objects that refuse to separate the sacred from the discarded.
Camouflage Means the Landscape Was Already Watching You
Katharina Busl builds a forest theater at Paltz Biënnale 2026, Soest. Camouflage tarps, silicone masks, sculptural ear forms. On view through June 21.
A Body Breathes Whether or Not Anyone Thinks to Listen
Rahel Oberhummer presents Still Breathing at Maison Visinand, Montreux. Glass sculptures with glacial ice cores. Curated by Audrey Beyeler and Noor Diba.