How KiefferWoodtli Turn Tree and Solar Data into Art
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Meet KiefferWoodtli, the Swiss artist duo based in New York, translating live tree and solar data into sound, sculpture and immersive installations.
Finbar Prior Turns Agar Membranes into Sculptural Architecture at OUTPOST
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Explore Finbar Prior's Tympanums at OUTPOST Gallery in Norwich, where agar membranes, sound and sculpture transform the exhibition space.
Gabriel Alonso lets the Leaf Carry the evidence
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Explore Gabriel Alonso's A Long Chemical Dream at ATM Galería in Gijón, curated by Cristina Ramos González. Plants, industrial chemicals and vegetal transformation.
Taylah Hasaballah Hands the Surface Over to Salt, Iron and Time
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Taylah Hasaballah's INDICATRIX at The Address in Milan and Brescia explores entropy, time and chemically driven painting. On view until November 10, 2026.
Candy Bassas Paints Bathers Who Never Fully Leave the Dark
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Read our independent review of Candy Bassas' dancing lights at Galerie Mellies in Detmold. Exploring light, water, the figure and oil painting.
Patrick Bérubé Puts an AI-Generated Forest Next to Real Mycelium
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Explore Patrick Bérubé’s Et ainsi de suite… (And So On…) at Plein Sud, Longueuil, where mycelium, copper and AI-generated imagery examine nature, technology and time
Sari Palosaari Maps Lichen onto Images of the Earliest Galaxies
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Read our independent art analysis of Sari Palosaari's Substrate at Forum Box in Helsinki. Exploring lichen casts, solar panels and found metal.
Marwa Arsanios Spends Eight Years Asking Who Land Belongs To.
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An independent review of Marwa Arsanios’s five-part film cycle Who is Afraid of Ideology? at TAXISPALAIS Kunsthalle Tirol in Innsbruck, on view through October 4, 2026.
Elena Adamou Finds Sacred Icons in the Weeds Nobody Names
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Explore our archive review of Elena Adamou's Iconographies; Tiny Resistance, Crevices and Other Creatures at primopiano, Montesilvano (2026).
Maija Fox Leaves Fingerprints on a Material Built to Have None
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A Conversation between Ellery and Maija Fox in the OUTPOST courtyard about her exhibition As the sap rises in Norwich: cast aluminium, Baltic granite, and the labour of the workshop.
Ruins That Keep Growing
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Musée d'art de Joliette presents Patrick Bérubé's (Ce)pendant, where mycelium, bronze, and silk stage ruins that are still forming. Through September 7, 2026.
Looking Up Is Also a Way of Questioning the Ground - Rotor Graz
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Rotor Graz presents A Parable for Endings and Beginnings We Don't Know Yet, Part 1: The Giant Bird, with artists exploring mythological creatures, from 29 May to 1 August and 24 August to 5 September 2026.
A Body That Learns to Rot Slower Than the Room Around It
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Pani Domu presents Kamil Kukla's Silva in Poznań. Paintings, gouaches, and sculptures where forests absorb debris and bodies stop resolving.
KiefferWoodtli’s AXES at Alvarez Chida in Mexico City
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KiefferWoodtli present AXES at Alvarez Chida in Mexico City. Sculpture, installation, drawing, sound, and solar data map orientation as a fragile act. Through July 10, 2026.
Poison Blooms Here in Permanent Spring
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Anna Mari Liivrand’s Amid Bitter Flowers fills the Contemporary Art Museum of Estonia with a fragile garden of poisonous plants, iron, glass, and found objects that refuse to separate the sacred from the discarded.
Camouflage Means the Landscape Was Already Watching You
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Katharina Busl builds a forest theater at Paltz Biënnale 2026, Soest. Camouflage tarps, silicone masks, sculptural ear forms. On view through June 21.
A Body Breathes Whether or Not Anyone Thinks to Listen
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Rahel Oberhummer presents Still Breathing at Maison Visinand, Montreux. Glass sculptures with glacial ice cores. Curated by Audrey Beyeler and Noor Diba.